The Government of India has allocated 2.5 million USD to assist Vietnam in restoring and preserving the My Son Sanctuary world cultural heritage site in the central province of Quang Nam, according to the provincial Department of Culture, Sports, and Tourism.

India will provide specialists as well as necessary equipment and material for the restoration and preservation efforts.
Meanwhile, the province is projected to spend roughly 20 billion VND (952,000 USD) on the salaries of 85 workers participating in the efforts over the next five years.
Once the religious and political capital of the Champa Kingdom, My Son Sanctuary is located in a hilly landscape in Duy Phu commune, Duy Xuyen district, about 70 km southwest of Da Nang city and 40 km from Hoi An city.
It comprises eight groups of 71 monument built throughout the 7th -13th centuries.
The first construction of My Son dated back to the 4th century under the reign of Bhadravarman for the worship of God Shiva-Bhadresvara. But later on, the temple was destroyed.
Meanwhile, the province is projected to spend roughly 20 billion VND (952,000 USD) on the salaries of 85 workers participating in the efforts over the next five years.
Once the religious and political capital of the Champa Kingdom, My Son Sanctuary is located in a hilly landscape in Duy Phu commune, Duy Xuyen district, about 70 km southwest of Da Nang city and 40 km from Hoi An city.
It comprises eight groups of 71 monument built throughout the 7th -13th centuries.
The first construction of My Son dated back to the 4th century under the reign of Bhadravarman for the worship of God Shiva-Bhadresvara. But later on, the temple was destroyed.

At the beginning of the 7th century, King Sambhuvarman had it rebuilt and rebaptised Sambhu-Bhadresvara. Each new monarch came to My Son after his accession to the throne for the ceremony of purification and to present offerings and erect new monuments, which explains why My Son is the only place where Cham art flourished without interruption from the 7th to 13th century.
The temples in My Son were built into groups that basically followed the same model. Each group was comprised of a main sanctuary (Kalan), surrounded by towers and auxiliary monuments. The Kalan, which is a symbol of Meru Mountain (centre of the universe, where the gods live), is dedicated to Shiva. The small temples are devoted to the spirits of the eight compass points. In the towers, topped with tiled, covered roofs, were stocked to the offerings and sacred objects of the pilgrims. Cham temples do not have windows, so they are very dark inside. Windows are found only in the towers.
Extensive research and restoration work to preserve the Cham architectural heritage have been carrying out since it became a world heritage site since 1999.
The temples in My Son were built into groups that basically followed the same model. Each group was comprised of a main sanctuary (Kalan), surrounded by towers and auxiliary monuments. The Kalan, which is a symbol of Meru Mountain (centre of the universe, where the gods live), is dedicated to Shiva. The small temples are devoted to the spirits of the eight compass points. In the towers, topped with tiled, covered roofs, were stocked to the offerings and sacred objects of the pilgrims. Cham temples do not have windows, so they are very dark inside. Windows are found only in the towers.
Extensive research and restoration work to preserve the Cham architectural heritage have been carrying out since it became a world heritage site since 1999.
Other News
- Vietnamese lacquer: Traditional artistry meets modern innovation
- Indochina fine arts heritage in the heart of Hanoi
- Da Sy Blacksmith Village - a fascinating destination for traditional craft enthusiasts
- Three prominent Vietnamese painters spotlighted in Paris exhibition
- Hanoi artists' Spring exhibition captivates public
- Admiring Dong Ho folk paintings on traditional ao dai
- Thousands flock to Van Mieu for calligraphy tradition
- New treasures unveiled from Thang Long Imperial Citadel
- Fire from the earth: A musical homage to Hanoi's revolutionary history
- Behold the unique collection of snake lacquer statues
Trending
-
Vietnamese lacquer: Traditional artistry meets modern innovation
-
Vietnam news in brief - February 20
-
Musical brings life of Hanoi’s first Party Secretary to stage
-
Vietnam scales back plan to boost offshore wind
-
Indochina fine arts heritage in the heart of Hanoi
-
Keeping the spirit of Vietnamese folk paintings alive
-
Hanoi's traditional craft villages join the world stage
-
Hanoi tackles traffic violations with 600 cameras
-
ASEAN Future Forum expected to generate creativities for the region