Log in
Vietnam

Vietnam forms special unit to combat films with illegal "nine-dash" line

Following the incident, public backlash in Vietnam became strong and prompted major streaming platforms such as FPT Play, VieON, K+ and TV360 to swiftly remove the series from their libraries.

THE HANOI TIMES — The Ministry of Culture, Sports and Tourism has set up a special task force to inspect filming activities on the internet after the Chinese television drama Love’s Ambition (Hay De Toi Toa Sang in Vietnamese) was found to contain an illegal “nine-dash line” map.

In a decision announced today (October 6), Deputy Director of the Vietnam Cinema Department Do Quoc Viet will be in charge of the team. The move aims to ensure all films, either produced by domestic companies or foreigners, are in line with Vietnamese laws on national sovereignty and national defense.

A scene that covers China's illegal nine-dash line map in its series Love’s Ambition (Hay De Toi Toa Sang in Vietnamese).

The drama, starring Zhao Lusi and William Chan, had attracted a large number of Vietnamese audience as it was streamed simultaneously with its release in China. On October 2, local viewers discovered that episode 16 contained a scene showing the so-called “nine-dash line”, which violates Vietnam’s sovereignty in the East Sea (South China Sea).

China’s nine-dash line is a U-shaped boundary claiming about 90% of the South China Sea, overlapping the waters of Vietnam, the Philippines, Malaysia and Brunei. In 2016, the Permanent Court of Arbitration (PCA) in The Hague, Netherlands, ruled the claim invalid under international laws, particularly the United Nations Convention on the Law of the Sea (UNCLOS).

Nevertheless, China has maintained its claim, fueling regional tensions.

Right after the incident, public backlash was swift in Vietnam. On October 3, four major Vietnamese streaming platforms, including FPT Play, VieON, K+ and TV360 removed the series entirely from their systems.

FPT Play announced that it has permanently deleted all related content, stressing: “We uphold the principle of compliance with Vietnamese laws and the respect for national sovereignty. All content is carefully reviewed to ensure safe and lawful entertainment experience for audiences.”

Other streaming platforms on the internet, whether licensed or not, have also removed the film and its relevant contents from their display.

At the same time, fan communities dedicated to Chinese dramas in Vietnam declared a boycott of the series, refusing to share and promote any content associated with Love’s Ambition.

In the wake of the controversy, the Vietnam Cinema Department under the Ministry of Culture, Sports and Tourism requested relevant parties to take action in line with Vietnamese laws.

The department requested written explanations from all involved companies regarding the release and distribution of the film in Vietnam as soon as the issue was detected, the department’s Director Dang Tran Cuong told the press.

“After receiving full reports, the department will review and strictly handle the matter in accordance with Vietnamese law,” Cuong stated.

On October 3, the four Vietnamese companies involved in the film’s distribution submitted official reports and explanations, confirming that the film was no longer available on any platform in Vietnam.

The Vietnam Film Department subsequently issued an official notice suspending two Chinese companies, namely Tencent Holdings Limited and Image Future Investment (HK) Limited, from operating film distribution services in Vietnam.

To resume operations, the two companies must apply for certification as eligible online distributors or obtain film classification licenses in compliance with Vietnamese regulations.

The department also required both firms to report details about their organizational structure, operational models, legal relationships and plans for licensing in Vietnam.

Tencent Holdings and Image Future Investment (HK) on October 6 filed their reports to the Vietnam Cinema Department, explaining that they were not headquartered in Vietnam and their operations were being halted during a week-long break.

“Adherence to Vietnamese law is a fundamental requirement to ensure a healthy film environment and safeguard national sovereignty against any misleading content,” the department stressed.

FPT Play, one of the domestic leading film distributors, removes the Chinese series from its platform. 

Reminder for online content regulation

The department’s Deputy Director Viet reiterated that the online dissemination of films in Vietnam must be licensed and supervised by competent state authorities. Companies are required to report and coordinate promptly when violations occur.

He affirmed that it will continue monitoring and strictly handling violations, urging all film distributors to strengthen content review, particularly for imported or foreign-produced titles.

“Complying with Vietnamese law is a prerequisite to ensuring a healthy and lawful film distribution environment while safeguarding national sovereignty against distorted or violating content,” Viet said.

Vietnam has previously removed several Chinese series containing “nine-dash line” imagery, including Flight to You and Forever Love.

The Love’s Ambition case reaffirms that in today’s digital era, respecting Vietnamese law and national sovereignty is both a legal duty and a moral responsibility for all participants in the film industry.

Reactions:
Share:
Trending
Most Viewed
Related news
EU praises Vietnam’s creative community for advancing sustainable design

EU praises Vietnam’s creative community for advancing sustainable design

EVSDA 2025 reinforces creativity’s role in driving sustainable development in Vietnam while connecting European and Vietnamese values and highlighting ideas for a greener and more inclusive future.

TECHFEST Vietnam 2025 reinforces innovation’s role in powering next growth phase

TECHFEST Vietnam 2025 reinforces innovation’s role in powering next growth phase

It is Vietnam's largest annual festival for innovative startups, highlighting inclusive innovation, encouraging technology commercialization and the development of new products to ensure that no one is left behind in the country’s transition to a knowledge-driven economy.

Innovation becomes core driver of national development: Vietnam PM

Innovation becomes core driver of national development: Vietnam PM

Innovation is the inevitable path for Vietnam's rapid and sustainable development, building an independent and self-reliant economy that is deeply integrated into the international community.

Green marine economy set for Vietnam’s new development phase with pioneering vision

Green marine economy set for Vietnam’s new development phase with pioneering vision

Unlike traditional conservation approaches, the green marine economy relies on technology, financial resources and international cooperation to balance environmental protection with sustainable economic growth.

Vietnam, Malaysia reaffirm ASEAN unity, call for restraint amid regional tensions

Vietnam, Malaysia reaffirm ASEAN unity, call for restraint amid regional tensions

Both prime ministers also align bilateral cooperation with regional priorities, particularly strengthening ASEAN unity and centrality as constructive and responsible partners.

Temple of Literature by night: When heritage awakens in a magical glow

Temple of Literature by night: When heritage awakens in a magical glow

With layered lighting, immersive sound and rich storytelling, the Van Mieu Night Tour brings centuries-long heritage to life, showcasing the Quintessence of Education and Vietnam’s tradition of honoring knowledge in an enchanting Hanoi night.

Vietnam weathers tariff pressures better than anticipated: HSBC

Vietnam weathers tariff pressures better than anticipated: HSBC

While most regional economies significantly restrained exports to the US, Vietnam maintained strong growth.

“Acquired Identity”: Minh Dam’s watercolor journey and cultural dialogue

“Acquired Identity”: Minh Dam’s watercolor journey and cultural dialogue

His personal journey between Poland and Vietnam is reflected in the “Acquired Identity” exhibition, showing that selfhood is shaped through experience and enriched by multicultural influences.